Originally posted on Latinxs in Kid Lit on October 17, 2019
Reviewed by Emily R. Aguiló-Pérez
Review by Emily R. Aguiló-Pérez
DESCRIPTION OF THE BOOK: When Daisy Ramona zooms around her neighborhood with Papi on his motorcycle, she sees the people and places she’s always known: the tortillería!, Abuelita’s church!, Franky, the barking Labradoodle! She also sees a community that is changing around her. But as Daisy and her papi reach the homestretch, the purple, blue, and gold sky glowing behind them, she knows that some things, like the love from her papi and family, will never change. With vivid illustrations and text bursting with heart, My Papi Has a Motorcycle is a young girl’s love letter to her hardworking dad and to the feeling of home we always carry with us.
The book is also available in Spanish as Mi papi tiene una moto.
MY TWO CENTS: Through this book, Quintero writes a love letter to her father “who showed [her] different ways of experiencing home” and a love letter to Corona, California, “a city that will always be a part of [her]” (Author’s note). The book begins with Daisy reading a book as she waits for her father to come home and take her on a ride around the city on his motorcycle. A wonderful feast to the eyes on this first page is the intertextuality that illustrator Zeke Peña provides: the book Daisy is reading is Lowriders to the Center of the Earth (written by Cathy Camper and illustrated by Raul the Third). It is a small, yet delightful, nod for readers who are familiar with the book series.
As the duo sets off on their journey, they pass many sights that are staples of Daisy’s city. There’s her Abuela’s church, Joy’s Market – where Mami buys Daisy’s gummy bears –, Rocket Repair, and Don Rudy’s Raspados – Daisy’s favorite place for shaved ice, which seems to have closed down. This is a point of concern for Daisy, who notices how disappointed her father is and affirms that she will not be the only one who misses the place. It comes as a happy surprise for her, then, when at the end of her journey that evening Don Rudy comes by with shaved ice, now in a small and portable cart.
Not only does the reader go on a tour of these places that Daisy enjoys, but we also get a glimpse into her life, her family’s life, her neighborhood, and some of the important history about the city. Passing by the murals painted around, Daisy explains their importance: “We roar past murals that tell our history – of citrus groves and immigrants who worked them, and of the famous road race that took place on Grand Boulevard a hundred years ago.”
As they race their way through Grand Boulevard, Daisy imagines being part of the races, the crowd cheering her on. The way Quintero weaves some of the history with Daisy’s daily life and imagination is brilliant, as readers are able to see the city through her eyes – lovingly and full of admiration – and at the same time they learn some of its history, as Daisy learns it, too.
In her author’s note, Quintero explains how the story was inspired by her own childhood in Corona, California. Through her words and Peña’s illustrations, she wanted to honor the immigrant workers, like her grandfather, who did the majority of the hard labor that helped establish the city, and a lot of the U.S. She explains that while the murals [Zeke Peña] created were imagined, the history they depicted was real.” These details, such as the city holding the road race on what is now known as Grand Boulevard, or the fact that Corona was known as the “Lemon Capital of the World” because of all the citrus that was cultivated there, were all present in the journey Daisy takes the reader.
There is so much heart in this book! It is clear how much Daisy loves and admires her papi, whose voice – she says – touches everything, even when everything around them is noisy. It doesn’t matter what else is going on, her father is central in her life. She admires his work as a carpenter, a job that he has had since he first arrived to the country, showing the reader not only his hard work, but how much she appreciates him for spending this sacred time with her even when he comes home really tired.
The language is very literary and the descriptions are vivid. One of my favorite combinations of vivid descriptions in the text and detailed imagery in the illustrations comes from a spread where Daisy describes how she and her dad take off on the motorcycle. She says the shiny blue metal up the motorcycle glows in the sun, making the sky blue and purple and gold. This rich imagery is further enhanced by Peña’s mix of colors and his placement of the duo at the center of a pool of gold, as if they were riding right into the sun. Peña’s use of comics elements like speech bubbles or onomatopoeic graphics like “VROOOOOOOM” when the motorcycle is revving up are a perfect fit for Quintero’s words.
Daisy and her papi’s motorcycle ride around the city is more than just a ride; it is really her life. And no matter how far she goes from the city or how many changes it undergoes, it will always be a part of her. This really shows how important this place is for her and how much of her identity is tied to it. Quintero closes the narrative with Daisy enjoying her shaved ice, sitting with her papi. Lovingly, Daisy thinks about her town and “all the changes it’s been through,” and finds comfort in knowing that in her little house with her family “there are things that will always stay the same.” “Mañana we fly again,” her dad assures her.
TEACHING TIPS: This book makes for a wonderful read aloud for all ages. It would be a strong mentor text for writing, and teachers could focus on:
- The use of vivid descriptions
- The importance of setting(s) in a story
- Characterization
In addition, the book’s detailed illustrations can be great for teaching or developing visual literacy, asking students to explore how the illustrations support the text.
For older readers, the questions Quintero poses in her author’s note can be used for teaching this book. Who are the people who build our cities and form our communities? Who are the people who get streets named after them, and who are the people who lay the asphalt? These could become the basis of individual or collective research projects for students to learn more about their communities.
Dr. Emily Aguiló-Pérez 